Pacing is the real story here. The first three cuts feel like the band still finding the room, then it locks in and doesn't let go until the closer. The mix prioritises bottom end and it's all the better for it.
Composition is dense and rewards re-listens. There's a counter-melody on the third track that I didn't catch until the fourth spin. That's the mark of writing that has more underneath it than the surface lets on.
Hay un par de rellenos en la parte central pero cuando aciertan, aciertan feo. El track con el feature sale del molde y por un momento crees que estás escuchando otro disco.