Tyler

I wanted to like this more.

Composition is dense and rewards re-listens. There's a counter-melody on the third track that I didn't catch until the fourth spin. That's the mark of writing that has more underneath it than the surface lets on.

Song two onwards is a clinic. The arrangement builds without you noticing it building, which is the hardest trick in the book. I haven't been able to stop revisiting the bridge on the title track.

The production sits between Madlib's haziness and J Dilla's percussion sensibility. Track 4 is the centerpiece — that bassline is going to live in my head for months.

estoy LLORANDO con el coro del segundo track no es justo